Showing posts with label love. Show all posts
Showing posts with label love. Show all posts

17.12.11

what does a man love?

A man is his own worth enemy

It's hard to decide how much you're worth. What is clear is that there are rich men and poor men in the world, and that there are degrees of heterogeneity between, as well as within, each group.

Everyone knows that a man loves what makes him proud and upright. Whatever it is that makes him bigger and better and stronger and greater. All the things a great man is, whatever it is that makes him more like this, that is what a man loves. 

20.2.10

being at a loss

In 'The Infinite Conversation' (Theory and History of Literature). Blanchot writes: "The book: a ruse by which writing goest toward the absence of the book." (p. 424) Why is this idea, the idea of absence, loss, something missing, so attractive? . Because it propels desire in all the ways of desire, because it has the shape of something of some of us. Is it a beautiful envelope of an idea?  I could say no more about it: I was at a loss. It worked as an aporia.
For some reason then I thought about the painting by David (1748-1825) 'The Death of Marat' (1793).
This was a painting of his friend Marat who had just been murdered in the French Revolution. 
Imagine painting the death scene of a friend, it is quite an act of love. 
I wondered if someone had commissioned the painting or if David had painted it off his own back. This is when I found something interesting.
David was commissioned to paint the portrait of his friend by a patron who requested that the painting remain faithful to David’s style in ‘The Death of Lepeletier de Saint-Fargeau’. In January 1793 Saint-Fargeau was murdered and soon after, David painted a representation of a moment of his death, placing him as the first martyr of the French Revolution. 
The two paintings, Saint-Fargau and Marat (the two men) were to remain together as an informal diptych and were always displayed together until David's death when they were separated. ‘The Death of Lepeletier de Saint-Fargeau’ has in fact gone missing or has been destroyed - there are contrary reports.
So, the painting of Marat has a missing piece, it is a painting that moves me towards and away from an absence. It is at a loss. It is not at home and by it neither am I.